Saijō-saku
Edo sansaku no kenkyu Listed
(Katana)
Rokujugo okina Syoji chikuzen daijo huji naotane(kao)
Tenpo juyo nen nigatsu jitsu
最上作
江戸三作之研究所載
刀 銘 六十五翁荘司筑前大掾藤直胤(花押)
天保十四年二月日
Item NO. | No,K00233 | Price | Please contact us |
---|---|---|---|
Paper | NBTHK Tokubetsu Hozon token Paper | ||
Country | Edo | ||
Period | Late Edo period(江戸時代後期)19th century | ||
Blade Length | 80.9cm |31 27/32in | ||
Curve(Sori) | 2.4cm|15/16in | ||
Top Width (Sakihaba) | 2.0cm/25/32in | ||
Bottom Width (Motohaba) | 3.0cm|1 3/16 in| | ||
Bottom Thickness (Motokasane) | 0.8cm|5/16in | ||
Top Thickness (Sakikasane) | 0.7cm|9/32in | ||
Keijo | Shinogizukuri, iorimune, mihaba hiroku, Shinogihaba Hirome, sori yaya fukaku tsuki, chūkissaki nobiru. | ||
Kitae | Koitamehada yoku tsumi chi nie tsuku. | ||
Hamon | No tare kichō ni Gu no me majiri, atsuku nie zuki, shikirini kinsuji sunagashi kakari, nioikuchi fukaku akarui. | ||
Boushi | Shikirini haki kake,saki Komaru-gokoro ni kaeru. | ||
Nakago | Ubu,-saki ha agari kurijiri, yasurime,Yasurime ōsuji kai ni keshō tsuku,Hole 1 | ||
Accessories | Shirasaya(白鞘)・Kin kise niju habaki(金着二重鎺) | ||
Details | Naotane Taikei was born in Yamagata, Dewa Province in the seventh year of An'ei, and his real name was Shoji (Shoji) Minobei (Minobei), and he called himself Taikei. He received the title of Chikuzen Daijo around the 4th year of Bunsei, moved to Kyoto in the first year of the Kaei era, and became Minosuke. When he was young, he went to Edo and entered the school of Suishinshi Masahide, and later, like his master, served under Akimoto no Kō, and became an outstanding student of Suishinshi. In this work, Naotane is said to be the best at Tenpo-uchi, and with one critical swing of Soshuden, he enters Kinsuji and Su-nagashi, and the result is a splendid result. It is included in the Edo Sansaku no Kenkyu, a collection of representative works by Minamoto no Kiyomaro, Suishinko Masahide, and Daikei Naotane. 大慶直胤は、安永七年に出羽国山形に生まれ、本名を庄司(荘司)箕兵衛(美濃兵衛)と称し、大慶と号した。文政四年頃に筑前大掾を受領し、嘉永元年に上洛して美濃介に転じている。若年の折に江戸に出て、水心子正秀の門に入り、後に師同様に秋元候に仕え、水心子門下の逸材となった。本作は直胤が一番上手いとされている天保打ちで相州伝の会心の一振で金筋・す流し頻りに入り、見事な出来栄えとなっている。源清麿・水心子正秀・大慶直胤の代表作を集めた江戸三作之研究に所載されている。 |
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