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  3. Katana Kanemoto(Magoroku)(孫六兼元)

Katana
Kanemoto(Magoroku)
fittings：Kurourushi Uzumakinuri saya uchigatana koshirae
刀 兼元（孫六）
（附）黒漆渦巻塗鞘打刀拵

Item NO.No,K00253PricePlease feel free to contact us.
PaperNBTHK Tokubetsu hozon Paper （公益）日本美術刀剣保存協会 特別保存刀剣鑑定書
CountryMino
PeriodMuromachi Period（室町時代）15th~16th century
Blade Length69.7cm
Curve(Sori)1.8cm
Top Width
(Sakihaba)		2.2cm
Bottom Width
(Motohaba)		2.8cm
Bottom Thickness
(Motokasane)		0.6cm
Top Thickness
(Sakikasane)		0.5cm
KeijoShinogi-zukuri, Iori-mune, Mihaba jinjō, Sori takaku tsuki, Chū-kissaki
KitaeItame ni moku, nagare-masa ga majiri, hada tachigokoro to nari, ji-nie komaka ni tsuku.
HamonTakasa no chigau daishō no gunome to togari-ba o majiete mitsu ni tsure, sanbonsugi o teishi, nioi-gachi ko-nie tsuku.
BoushiMidare-komi, saki hakikake, komaru ni kaeru.
NakagoSuriage, sakikiri, yasurime-kiri, Hole 4
AccessoriesShirasaya, kin-ksei ichiju-habaki, kuro-urushi uzumaki-nuri saya uchigatana-koshirae.
DetailsKanemoto was one of the leading smiths of the Mino tradition in the late Muromachi period. Although several generations bore the same name, the second generation was considered the most skilled, and he is widely admired under the name “Magoroku Kanemoto.” Kanemoto was particularly renowned for creating the sanbonsugi hamon, consisting of pointed gunome patterns arranged in groups of three.
This blade clearly reflects his style, displaying gunome of varying heights mixed with pointed elements, closely grouped together to form the sanbonsugi pattern, with a strong nioi base accompanied by fine nie. Furthermore, the signature on this piece is exemplary, representing a model example of his work.
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