(Tanto)Hosho
Fittngs:Uruoi_nuri_kamon_makie_aikuchi_tanto_koshirae
短刀 朱銘不明 保昌
(附)潤塗家紋蒔絵鞘合口短刀拵
Item NO. | NO.K00196 | Price | 2,900,000JPY (Shipping fee extra) |
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Paper | 【Tanto】 NBTHK Tokubetsu Hozon Paper (公財)日本美術刀剣保存協会 特別保存刀剣鑑定書 【Koshirae】NBTHK Hozon Paper (公財)日本美術刀剣保存協会 保存刀装具鑑定書 | ||
Country | Yamato_kolu(大和国) | ||
Period | Late Kamakura Period,13th-14th century(鎌倉時代末期) | ||
Blade Length | 20.9cm (6寸9分強)|8 15/64in | ||
Curve(Sori) | Uchi_zori | ||
Bottom Width (Motohaba) | 2.1cm|53/64in | ||
Bottom Thickness (Motokasane) | 0.5cm|13/64in | ||
Keijo | Kanmuri_otoshi_zukuri,Iori_mune,Mihaba_jinjō,Uchi_zori. | ||
Kitae | Masamehada, sōtai ni nagare,chi nie yoku tsuki, nieutsuri tatsu. | ||
Hamon | Asai no tare-chō no sugu-ha ni wazuka ni ko- guno-me majiri, nie yoku tsuki, ha hada ni karande nijūba kuichiga ha to nari, kinsuji sunagashi komaka ni kakari, nioikuchi akaruku saeru. | ||
Boushi | Sugu ni saki yaki tsume, haki kakeru. | ||
Nakago | Ubu,saki kiri shiri, yasurime wazuka ni Higaki ga nokoru, Hole 2. | ||
Accessories | Uruoi-nuri-kamon-makie-saya-aikuchi-tanto-koshirae(潤塗家紋蒔絵鞘合口短刀拵)・Kin'iro nijūhabaki(金色二重ハバキ) | ||
Details | The Hosho sect of Yamato Province(大和国保昌派) is known to live in Takaichi District(高市郡), based on existing materials. It flourished from the end of the Kamakura period(鎌倉時代末期,12th~13th century )to the period of the Northern and Southern Courts(南北朝時代,14th~16th century), and Sadamune (貞宗)and Sadayoshi(貞吉) are most often heard as the representative craftsmen of the sect, with other masters such as Sadakiyo (Sadakiyo)and Sadaoki(貞興), all of whom use the kanji ``Sada(貞)''. The style of this school expresses straight-grained forging on the ground glass, and there are many cases where the blade pattern of the straight blade is fired. The base iron of this tanto is straight-grained, flows all over, is well-crafted, has a thick coating on the surface of the ground, frequently enters the ground finely, has a sharp reflection, and the blade pattern is a straight edge with a shallow drape pattern. This is an excellent work that shows the typical Hosho style(保昌派). It is accompanied by an Uruoi-nuri-kamon-makie-saya-aikuchi-tanto-koshirae (潤塗家紋蒔絵鞘合口短刀拵) that is thought to have been made in the late Edo period(江戸時代末期). |
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